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She resorts to few of the conceits, the extended metaphors, the Latinate language, and other common conventions of poetry. Readers frequently say that her verses hardly seem like poetry at all; they resemble the conversation of a highly articulate, observant woman.
Although her poetry often seems like prose, her fiction is highly poetic.
The thoughts of Miss Celie, the first-person narrator of The Color Purplewould not have been out of place in a book of poetry. Boundaries between prose and poetry are minimal in the work of Walker. Her verse, like her prose, is always rhythmic; if she rhymes or alliterates, it seems to be by accident.
The poetry appears so effortless that its precision, its choice of exact image or word to convey the nuance the poet wishes, is not immediately evident. Only close scrutiny reveals the skill with which this highly lettered poet has assimilated her influences, chiefly E. The reader feels that it is the message that counts, before realizing that the medium is part of the message.
Several of her poems echo traumatic events in her own life, such as her abortion. She remembers the words her mother uttered over the casket of her father, and she makes a poem of them. Other poems recall ambivalent emotions of childhood: Sunday school lessons which, even then, were filled with discrepancies.
Some poems deal with the creative process itself: She calls herself a medium through whom the Old Ones, formerly mute, find their voice at last.
Her mysticism is tied to reverence for the earth, a sense of unity with all living creatures, a bond of sisterhood with women throughout the world, and a joyous celebration of the female principle in the divine.
On the other hand, she may lament that injustice reigns in society: Poor black people toil so that white men may savor the jewels that adorn heads of state. Perhaps the epigram from French philosopher Albert Camus, which prefaces the book, expresses its mood best: However, even when viewed in the idealism of youth, Africa is not total paradise.
The leg of a slain elephant is fashioned into an umbrella holder in a shop; a rhinoceros is killed so that its horn may be made into an aphrodisiac.
Surrounding Ground and Autobiography. Walker becomes skeptical of the doctrine of nonviolence, hinting that the time for more direct action may have come. The title poem is perhaps the most moving and characteristic of the collection. Walker shared it again on May 22,in a commencement day speech delivered at Spelman College.
This thought establishes the tone of the collection. These are movement poems, but as always, they remain intensely personal and frequently elegiac. The poet seems herself to speak: I am the womanwith the blesseddark skinI am the womanwith teeth repairedI am the womanwith the healing eyethe ear that hears.
There is also lamentation for lost love: When I no longer have your heartI will not request your bodyyour presenceor even your polite conversation. I will go away to a far countryseparated from you by the sea—on which I cannot walk—and refrain even from sendinglettersdescribing my pain.
In her introduction to the final section of the collection, Walker relates how she once felt jealous of how musicians connect with their work and seem to be one with it, but that during career as a writer, she has learned that poets share a similar relationship with their poetry.
Absolute Trust in the Goodness of the Earth In the preface to Absolute Trust in the Goodness of the Earth, Walker confides that she thought that she had reached the end of her career as a poet and was at peace with this, but after the terrorist attacks of September, 11,on the United States, Walker found herself writing poems regularly.
Walker also continuously challenges readers to think about race relations in the United States, and how they might be improved. In the preface to Absolute Trust in the Goodness of the Earth, Walker also shares her interest in and admiration for the environment and plants in particular.
These feelings about the natural world are represented clearly in the title of this collection, which praises the earth for its beauty and righteousness. Walker, like many writers, associates nature with an inherent sense of peace. Tired of signing her own name so many times, Walker says that she suddenly started drawing little sketches on the pieces of paper.
Soon, she was scrambling to keep up with writing down poems that sprang to mind, inspired by the images she had drawn.
Walker feels this collection is strange when compared with her others, especially because she thought she was done writing poetry a few years earlier. Instead, she published two collections of poetry in a single year.
The untitled poems function almost like a series of proverbs, offering her readers advice about living a healthy spiritual life while respecting Earth and all of humanity.May 22, · Essays and criticism on Alice Walker, including the works Once, Revolutionary Petunias, and Other Poems, Good Night, Willie Lee, I’ll See You in the Morning, Horses Make a Landscape Look More.
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Unlike many other papers, poem essay is the kind of writing where you can use your imagination, letting your mind wonder, . Although remembered now for his elegantly argued critical essays, Matthew Arnold () began his career as a poet, winning early recognition as a student at the Rugby School where his father, Thomas Arnold, had earned national acclaim as a strict and innovative headmaster.
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